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November 7, 2019 by Caitlin Fitzgerald 0
Art, Mythology

The Barnacle Goose

The Barnacle Goose
November 7, 2019 by Caitlin Fitzgerald 0
Art, Mythology

When Truth is Stranger Than Fiction

"...making it is an occupation for pretty girls rather than for men; for they are always at home, and reliable, and they have more dainty hands. Just beware of old women."
John Gerard
The Herball or General History of Plants
     Mab Graves’ Drawlloween Club 2019 prompt of “cryptid” had many options for me. A jackalope would be an obvious choice, but as I challenge myself to expand on the menagerie of creatures I create I found myself thinking of an old favorite – the Barnacle Goose. Full disclosure, they actually exist. So, not a cryptid then? Well, maybe half a cryptid.
Barnacle Geese in a field
Barnacle Geese, as we know them today.
     Besides, many cryptids are based upon real animals (think of the jackalope and rabbits with shope papilloma virus, or the barometz and the wooly chicken fern) so it’s not too shocking of an idea. Native to the Arctic, these geese make their nests on precarious ledges and brutal cliffs to protect themselves and their young from predators. One of the more remarkable aspects of real-life Barnacle Geese is the death-defying plunge they take off these cliffs to the ground below that has the food which will sustain them. Some die in the plummet, others are grabbed by predators at the bottom. You can watch a tense video of the act here in this incredible article from National Geographic.
Barnacle Goslings seems to almost float as them plummet from the high Arctic cliffs to the ground below.
     In medieval times the belief was held that these fuzzy gray projectiles did not hatch from an egg, but instead emerged from the barnacles that clung to the rocks on the cliffs (hence the name) and plunged to the water below, or from the froth that formed around driftwood (this second means of growth in fact seems to describe gooseneck barnacles). This partly seems due to the fact that their migration patterns had them disappearing during parts of the year and breeding, or “growing”, elsewhere. An apparent convenience of this belief was that the church ruled they were, in fact, a species of fish and therefore OK to consume during Lent or other periods when the pious fasted from the flesh of animals.
Barnacle Geese as illustrated in John Gerard’s “The Herbal, or, General History of Plants”
     Gerald of Wales in his 12th century History and Topography of Ireland** describes them growing in the manner of foam along driftwood, and is perhaps the earliest mention of the creature and their myth. John Gerard would come along much later in the 1500s and describes the geese as forming in a similar manner and in fact the goose was included in Gerard’s The Herbal, or, General History of Plants* at the very end with a description of the “plant” along with the above engraving on the right, showing what appear to be goslings emerging from gooseneck barnacles.
Barnacle Geese as illustrated in John Gerard’s “The Herbal, or, General History of Plants”
     Eventually science would reveal the truth to us, but somehow the truth seems just as fabulous. Rather than emerging from driftwood and seafoam, hatching from barnacles fed by the sea, the real Barnacle Geese spends their first days high upon a cliff and then makes an incredible leap of faith the the solid ground below. Watching the downy goslings float in free-fall in the National Geographic video, it seems easier to believe they hatch from barnacles rather than willingly fling themselves to the harsh Arctic ground, while their parents urge them on. Yet, here we are and here they are – existing in a world that seems just as strange as the one described by medieval scholars.
My own rendering of the Barnacle Goose.
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 Citations:

* Gerard, John. “The Herball, or, The General Historie of Plantes 1545-1612 .” Internet Archive, London, G. Howe, 1 Jan. 1927, archive.org/details/gerardsherball0000gera/page/n3/mode/2up.

**Giraldus, Cambrensis. “Topographia Hibernica.” National Library of Ireland, 1223, catalogue.nli.ie/Record/vtls000505800#page/1/mode/1up.

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Hi, I'm Caitlin.

Welcome to my blog. I'm a practicing artist in Massachusetts focusing on sculpture, painting, stained glass, and mixed media arts. This blog covers my process, interests, and other various topics that grab my interests as I create.

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REPOST - Better version with less lazy editing! I found a couple of these old dry-point etchings from college recently. I really like this piece. I really enjoyed etching and all the moody marks you could get on the page. Part of the research for my last blog post and Guinefort page was digging around trying to find images from Cod. 1856 (also known as The Black Hours of Charles the Bold/Galeazzo Maria Sforza). If you missed it with the email and/or shop update: a new blog post is up about the latest and greatest Guinefort piece (image 3) and some of the works of art that inspired it. Exciting news! My Etsy shop has been updated with some beautiful new items. Check out the latest Saint Guinefort Print, which has multiple options including different colored mats, as well as my new ceramic work and stained glass pieces. I'm also offering more matting options for some of my past works as well. Seven years ago. The candy jackalope was created. New sculptures coming later in the year, 10 years of critters, whether you see them as jackalopes, lepus cornutus, witch familiars, faux taxidermy, witch hares, or something else...it's been a decade. More to come! More cauldrons for my upcoming shop update, currently scheduled for 4/21. A little something different for me. I'm trying to push myself to be more present in the behind-the-scenes process of my art creation, because maybe that makes it a little more fun. Here's a little compilation of videos from a piece I did all the way back in 2018. I recently discovered some postcards I had made up of it that I'll be including in my next shop update, which will be the week of April 21st. The past few days have been a marathon of mold-making. Turns out what was very quick in hot, humid New Orleans is taking several days in the cold of New England (Guess who just read the full product overview, which says to not cure rubber where the temperature is less than 65° Fahrenheit ? I'm lucky if it's 60° in here currently, nothing for it now but to keep going!)
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