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July 21, 2019 by Caitlin Fitzgerald 1
Art, Mythology

The Barometz

The Barometz
July 21, 2019 by Caitlin Fitzgerald 1
Art, Mythology

Discovering the Vegetable Lamb of Tartary

"Wherefore I say you, in passing by the land of Cathay toward the high Ind and toward Bacharia, men pass by a kingdom that men clepe Caldilhe, that is full fair country. And there groweth a manner of fruit, as though it were gourds. And when they be ripe, men cut them a-two, and men find within a little beast, in flesh, in bone, and blood, as though it were a little lamb without wool. And men eat both the fruit and the beast. And that is the great marvel. Of that fruit I have eaten, although it were wonderful, but that I knew well that God is marvellous in his works."
Sir John Mandeville Travels*

The above excerpt describes what has been called variously the Barometz, Scythian Lamb, or Vegetable Lamb of Tartary (among others). I first read of this creature in Carol Rose’s Giants, Monsters & Dragons – An Encyclopedia if Folklore, Legend, and Myth**.

As time went on and accounts of the creature evolved, most centered upon a lamb-like creature (usually with golden fluff) that grew attached to a plant, confined to roam as far as its roots and typically dying when it had consumed all vegetation within its reach. In my youth I assumed it was some sort of exaggeration on the cotton plant. However, recently I discovered there was an actual plant in Asia, the Cibotium Barometz, thats fuzzy rhizomes have been made into animal-shaped gaffs for unwitting travelers.

The Vegetable Lamb of Tartary by Henry Lee† delves more into the tale and the plants surrounding it (the 1887 publication can be read for free online here). His interesting examination includes the below illustration and makes comparisons between cotton plants in addition to noting that fern rhizomes are crafted into animalistic shapes in Eastern countries as souveniers.

 

These tales inspired my latest sculpture, The Barometz. Though not crafted from parts of the fern (and in fact I have not been able to find them available for purchase in the United States) it is instead covered in preserved moss, fake flowers, dried vines, glitter, and Swarovski pearls. The lamb eyes come courtesy of a taxidermy supplier. I also have plans to create a barometz-themed window this summer as well which will be a completely different interpretation – instead referencing the wooly fern more.

My Barometz

Photo of a shoulder mount sculpture of a barometz covered in moss and roses

As a final note, this creature has always brought to mind another favorite of mine – the barnacle goose. These geese were said to “hatch” from barnacles and land directly in to the sea. This made them a convenient seafood that could be technically consumed during Lent.

In fact, I covered this creature in another blog post that you can find here.

*Mandeville, John. The Travels of Sir John Mandeville: The Version of the Cotton Manuscript in Modern Spelling. Macmillan and Co. Limited, 1900.

**Rose, Carol. Giants, Monsters, and Dragons: An Encyclopedia of Folklore, Legend, and Myth. ABC-CLIO, 2000.

† Lee, Henry. The Vegetable Lamb of Tartary; a Curious Fable of the Cotton Plant. Sampson Low, Marston, Searle, & Rivington, 1887.

 
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art barometz botany cryptid cryptozoology faux taxidermy lamb mythical plants scythian lamb taxidermy art vegetable lamb vegetable lamb of tartary

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1 comment

cresent moon cafe says:
July 23, 2019 at 5:04 AM

My relatives always say that I am wasting my time here at web, except I know I am getting experience everyday by reading thes
good articles.

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Hi, I'm Caitlin.

Welcome to my blog. I'm a practicing artist in Massachusetts focusing on sculpture, painting, stained glass, and mixed media arts. This blog covers my process, interests, and other various topics that grab my interests as I create.

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REPOST - Better version with less lazy editing! I found a couple of these old dry-point etchings from college recently. I really like this piece. I really enjoyed etching and all the moody marks you could get on the page. Part of the research for my last blog post and Guinefort page was digging around trying to find images from Cod. 1856 (also known as The Black Hours of Charles the Bold/Galeazzo Maria Sforza). If you missed it with the email and/or shop update: a new blog post is up about the latest and greatest Guinefort piece (image 3) and some of the works of art that inspired it. Exciting news! My Etsy shop has been updated with some beautiful new items. Check out the latest Saint Guinefort Print, which has multiple options including different colored mats, as well as my new ceramic work and stained glass pieces. I'm also offering more matting options for some of my past works as well. Seven years ago. The candy jackalope was created. New sculptures coming later in the year, 10 years of critters, whether you see them as jackalopes, lepus cornutus, witch familiars, faux taxidermy, witch hares, or something else...it's been a decade. More to come! More cauldrons for my upcoming shop update, currently scheduled for 4/21. A little something different for me. I'm trying to push myself to be more present in the behind-the-scenes process of my art creation, because maybe that makes it a little more fun. Here's a little compilation of videos from a piece I did all the way back in 2018. I recently discovered some postcards I had made up of it that I'll be including in my next shop update, which will be the week of April 21st. The past few days have been a marathon of mold-making. Turns out what was very quick in hot, humid New Orleans is taking several days in the cold of New England (Guess who just read the full product overview, which says to not cure rubber where the temperature is less than 65° Fahrenheit ? I'm lucky if it's 60° in here currently, nothing for it now but to keep going!)
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