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August 4, 2019 by Caitlin Fitzgerald 2
Art

5 Things I’ve Learned Cold Casting So Far

5 Things I’ve Learned Cold Casting So Far
August 4, 2019 by Caitlin Fitzgerald 2
Art
Resin Casting is Messy

1. It’s Going to Be Messy

Look, there’s no way to avoid it. Especially if you’re particularly accident-prone like myself. Make sure your hair is tied up (better yet, wear a hat) and your wearing junky clothes (preferably ones that have long sleeves). Have an area where it’s OK to make a mess. I use leftover floor tiles on top of a table in my studio. They’re actually endlessly useful – I can cast on them or work on them and it doesn’t matter how filthy they get. I always have more. 

Always Add A to B for the Best Mix

2. Make Sure You’re Adding Components in the Correct Order

I’ve been using the slush cast method, where you cast a thin lay of resin with bronze and then go in after with just resin. For the first few days I was adding my color AND my bronze powder to Part B and adding Part A in after. And then I couldn’t find out why it was setting so fast. You need to add the color to Part B, then add Part A. THEN add in the bronze, being sure to stir REALLY WELL to avoid clumps. Smooth-on has a good tutorial here that covers the basics however it also brings me to number 3.

Trial and Error is the Best Way to Find out What Works for You

3. Find Out What Works For You 

Each project is different. In the Smooth On tutorial they have a much larger cast than what I’m making (mine are about 3″ diameter circles) and part of their steps include painting the slush coat in with a brush until it gets really tacky. Every time I tried that it would get too tacky and my cast would come out lumpy where it has started to pull up. Now I use a slightly different method. I pour first into the areas with the highest details and then I use the head of a pin to “paint” into there, but only briefly. Then I squish and pull the mold a bit and tilt and turn it to coat the sides. Once it’s viscous (but not super sticky) I put it down and leave it. 

Don’t Skimp on the Safety – It’s your Health!

4. Safety First 

This should go without saying, but make sure you’ve got good safety gear. I was a little lax at first and ended up breaking out in rashes all over my hands. Now I use Nitrile gloves and a respirator ever time. It’s a pain in the ass when you’re churning out a bunch of stuff to take them off and on all day but it’s worth it for health and safety.

This is Only a Fraction of the number of Bad Casts I Have!

5. Troubleshooting May Be What you Spend the Most Time on At First

Bubbles! Why are they there? How do we get rid of them? Why are my tiny details not coming out? Why did it turn into a foamy mess? There are so many variables at play here and I’M still figuring them all out, so don’t look at me. However, ResiObsession has a good article on troubleshooting that has helped me out. Unfortunately I live in a very humid climate so I’m learning to just live with some bubbles.

It can feel like a long road to success, but it’s worth it!

Don’t let failure stop you. I was incredibly frustrated by the entire process at first but now I’ve had about two good days of multiple casts turning out as I like them. Nevermind the entire drawer full of rejects that I can’t seem to get rid of. It’s a learning experience!

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2 comments

Momma says:
August 6, 2019 at 7:33 PM

I love the happy greyhound cast, can’t wait to see it in person!

Caitlin says:
August 7, 2019 at 2:22 PM

Thanks!

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Hi, I'm Caitlin.

Welcome to my blog. I'm a practicing artist in Massachusetts focusing on sculpture, painting, stained glass, and mixed media arts. This blog covers my process, interests, and other various topics that grab my interests as I create.

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I barely snapped a photo of this one! It came out of the kiln at the studio I rent space at just in time for Mother's Day! Though you can't really see the handle, this is actually my very first ever mug, it's kind of funny that I went right to tiny, fussy little handles when I probably should have worked my way to a mug first... REPOST - Better version with less lazy editing! I found a couple of these old dry-point etchings from college recently. I really like this piece. I really enjoyed etching and all the moody marks you could get on the page. Part of the research for my last blog post and Guinefort page was digging around trying to find images from Cod. 1856 (also known as The Black Hours of Charles the Bold/Galeazzo Maria Sforza). If you missed it with the email and/or shop update: a new blog post is up about the latest and greatest Guinefort piece (image 3) and some of the works of art that inspired it. Exciting news! My Etsy shop has been updated with some beautiful new items. Check out the latest Saint Guinefort Print, which has multiple options including different colored mats, as well as my new ceramic work and stained glass pieces. I'm also offering more matting options for some of my past works as well. Seven years ago. The candy jackalope was created. New sculptures coming later in the year, 10 years of critters, whether you see them as jackalopes, lepus cornutus, witch familiars, faux taxidermy, witch hares, or something else...it's been a decade. More to come! More cauldrons for my upcoming shop update, currently scheduled for 4/21. A little something different for me. I'm trying to push myself to be more present in the behind-the-scenes process of my art creation, because maybe that makes it a little more fun. Here's a little compilation of videos from a piece I did all the way back in 2018. I recently discovered some postcards I had made up of it that I'll be including in my next shop update, which will be the week of April 21st.
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